AlekseyCalvin/Marionette_Modernism_Z-image-Turbo_LoRA

Marionette Modernism after Aleksandra Ekster & Sophie Taeuber-Arp

aka DADADOLL over Z.I.T.

Z-Image Turbo Low Rank Adapter by Silver Age Poets

Prompt

DADADOLL style photo of a big cat in San Francisco

Prompt

Dadadoll dada marionette photo of a beautiful giant close-up blackbird, above lush forest, fire-breathing blackbird burning down realistic modern fighter jets, the planes crash into trees, surreal photo, beautiful detailed bird beak and wings, doll feathers, lifted wings, elaborate forest background stretching far

Prompt

DADADOLL style

Prompt

DADADOLL style

Prompt

DADADOLL style marionette photo of pirate mage in a velvet suit yelling from the mast of a floating rock and roll sail-ship with scarlet sails wafting in the breeze, under dusky beautiful blue sky with misty clouds. The occultist punk is addressing a crowd of diverse costumed characters, including artists, librarians, workers, forest rangers, scythians, aliens

Prompt

DADADOLL

Prompt

DADADOLL style

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DADADOLL style

Prompt

DADADOLL Bastet the Egyptian cat goddess atop of a pyramid, playing a lute

Trigger words

You should use dadadoll style photo or dadadoll style photo of a Constructivist living doll crafted by Ekster or 'dadadoll style photo of a Dadaist marionette crafted by Taeuber-Arp' or 'dadadoll style photo of avant-garde marionette string puppets by Taeuber-Arp & Ekster' to summon the artists' latent hands.

Our Low-Rank Adapter (LoRA) for Z-Image models fine-tuned on 60+ manually pre-processed & exhaustively captioned photos...
...of uncanny avant-garde Cubo-Futurist/Constructivist & Surrealist/Dadaist string puppets from two mutually-echoing, though autonomously developed, sets crafted by two of 20th century's most iconic and influential avant-garde artists:
Aleksandra Ekster (1882 — 1949) and Sophie Taeuber-Arp (1889 — 1943):

PHOTO OF ALEKSANDRA EKSTER:

PHOTO OF SOPHIE TAEUBER-ARP:

EKSTER & TAEUBER-ARP: Two epochal artists and leading visionaries of their respective (and occasionally overlapping) creative mileus, both utterly distinctive stylists and ever-evolving experimentalists with a shared artistically omnidexterous zeal for expressing their singular geniuses in any and every mode, context, or sphere of expression presciently gleaned at the horizons of a given year or day.
And though their names are seldomly mentioned in the same breath or abstract by researchers or curators, Ekster's & Taeuber-Arp's artistic trajectories do hold between them some measure of spectral rhyme, like a matching rhythm of two extremely long shadows tossed by two incomparable lives unto some unbestknown shared point of exact inbetweenness...
...granted, comparing their arts, styles, or even specific works would likely be a pointless exercise, and at best an entertaining little mystification, with no exhaustive enough point of reference to speak of (with the closest plausible exception being the two marrionette sets that went into this LoRA; still... we'd rather treat these dolls as a signal echo, a commonality, not as some opportune overlay for critical dissection by contrast harnessing);

...moreover, every conclusion one might reach by placing the works/ways of two artists in direct contrast to each other (and, thereby, becoming all the more decontextualized in other ways) tends to be even more contrived and shallow than a museum retrospective brochure, or a random introductory write-up like this one ... So... What are we left with? Why, everything, of course!
...For the prime commonality of these particular two artists is, of course, condensed in the comparably monumental scale, kaleidoscopic variety, and pioneering resonance of the influence each and both had cast upon their largely-co-contemporaneous lifetimes, worlds, and arts...
– with Ekster (co-)formulating (alongside Burlyuk, Goncharova, Malevich, Tatlin, Popova, & others) the premises and most prolifically refining the character of Eastern-European Cubo-Futurism, Suprematism, & Soviet Constructivism alike;
– and with Taeuber-Arp due at least as much, and arguable more, credit than any of her over-mythologized Sur-Dada peers for the shaping of both Dadaism & Surrealism artistically (some avant-garde historiographers seem to forget that part); meaning, a Surrealism both greater & other than any mere "style", constituting an open-form process-oriented creative life-mode, which Taeuber-Arp had lived out unto a model epitome in ways Dali could only dream of (occasionally reporting back), and only a few others matched then or since (notably, Carrington in her latter days)... ...as for our extending rhyme-scheme of Tauber-Arp's & Ekster's comparative impact-traces; some additional echoes between them sound out within the steep angle to which both their statures, their respective gravities of influence, have been posthumously understated by art historiographers & other hauntological strappers-up of heavy-stringed canons, with their due canonical stature for long with-held. And for what possible reason?

One of Ekster's marionettes used for this fine-tune: Check out a wider subset of Ekster's Cubo-Futurist/Constructivist avant-garde marionettes, from among the images used to fine-tune this LoRA VIA THIS LINK.

Check out a wider subset of Sophie Taeuber-Arp's Dadaist/Surrealist avant-garde marionettes, from among the images used to fine-tune this LoRA VIA THIS LINK.

Taeuber-Arp's marionette of King Stag: